CASINO ROYALE Film Review
Friday 17th November, 00:34 hours
Originally entered onto
www.mi6forums.co.ukLiterally been home ten minutes, enough to shout at my flatmates in high-pitched, rapid tones and turn the computer on! The large group of friends who went with me to Newcastle's Gate to see
CASINO ROYALE this evening (in suits and tuxedos) has dispersed to their respective homes with massive smiles on their faces... I have to say, however, that mine is probably the biggest smile of all.
This film, and I cannot stress how much I sincerly mean this, is perfect. Every minor detail is right on the money. The reason I'm blabbing on about nonsensical details is that I'm at a loss where to start: to pick a single point about this film to discuss first seems to be an injustice to all the other points.
No, that's not true. There is one outstanding point. One aspect that makes
CASINO ROYALE a cut above all the other James Bond films. He was doubted, he was belittled, he was verbally attacked, but my goodness, does Daniel Craig show his critics how wrong they were? You bet. This man can act, and I mean really act. The sarcasm usually associated with the character of 007 is present, but this time it's not cringeworthy and throwaway one-liners, and they're delivered with sheer brilliance. Some of the most enjoyable dialogue in the film is in several scenes between Bond and Vesper Lynd (Eva Green): this stuff is sharp, witty, cutting and oh-so-dry. When compared to the fun but dispensable Bond/Jinx dialogue from
Die Another Day... well, you really can't compare!
And when it comes to emotion, Craig shows us another side to the character of Bond that we've never seen before. Tears came to my eyes in several scenes, including the predictably emotional conclusion when Bond is torn away from the woman he loves. Surprisingly, I found some of the most emotional scenes in the film, however, to be just Bond, looking at himself in the mirror with a heavy expression after just having killed. This man hurts, this man bleeds, this man is a man. No more unrealistic action: the freerunning we know to be possible, after all. In scenes after big action pieces, Bond has scars all over his face. We, the audience, are presented with Bond as a real man with real emotion. Rather than ruining the franchise, it is perhaps one of the best decisions the producers took (alongside casting Craig, who needs to stay on for a good many more features, as he is simply so believable).
The supporting cast is fantastic. Eva Green is totally believable, incredibly sexy and very appealing: you fall in love with her character just as Bond does. Equally distasteful is the villain, a desperate Le Chiffre, who needs to win back money belonging to terrorists before he is killed. His battle with Bond isn't all kung-fu like it would have been in previous films (
GoldenEye comes to mind, but that was another decade, with the same director, so...), rather a tense, edge-of-your-seat poker game at Casino Royale in Montenegro. The truly disturbing torture scene is here too, in all it's quite graphic and horrific glory (more fantastic acting from Craig as well as Mads Mikkelsen, who plays Le Chiffre). Mathis, Felix Lieter, Solange, Dimitrios... the character list is long and each role is cast with impeccable taste. M is awesome: so glad they kept Judi Dench, and so glad her character was given much more life in this incarnation.
The technical side of
CASINO ROYALE is bang on. Martin Campbell is a wonderful director I think we'll all agree, and he's got another winner with this film: the opening pre-title is suitably dark, black-and-white, filmed with a great edgy, claustrophobic feeling. Scenes in which Bond is drugged are blurred and distorted, with odd camera angles making you feel drugged too. The action is breathtaking, with the aforementioned freerunning sequence kicking things off to a flying start. There's a chase at Miami Airport that had me leaning towards the screen with a twisted shocked expression on my face. A brutal stairway fight with some Africans and a cat-and-mouse chase through Venice culminating in a sinking building sequence are also just amazingly tuned to reflect the new direction of the Bond character: quick, lethal, decisive and shocking.
The score, composed by David Arnold, is used really, really well. We are treated to hints of the Bond Theme we all know and love at moments when Bond does something... well, Bond-ish, whether it's surviving a near-death experience or winning a hand of poker (and the keys to an Aston Martin DB5). After all, this is the introduction to the Bond Universe: we see his first martini (a great running joke), his first tuxedo, his first Aston Martin, his first love, his first gunbarrel shot.
CASINO ROYALE is a welcoming, glorious invitation to the new James Bond. We have a perfect new 007 in Daniel Craig, a brilliant new tone for the series, and most of all, a kicker of a cliffhanger to lead into the next Bond film, scheduled for November 2008. This is Bond in the 21st Century. And this is what I see as my reason for living in it.
Score: TEN OUT OF TEN.